Monday 28 May 2012

The Woman In Black Review


Solicitor Arthur Kipps (Daniel Radcliffe) is assigned to handle the estate of Alice Drablow, who owned an English manor known as the Eel Marsh House, where she had lived with her husband, son Nathaniel, and sister Jennet Humfrye. However, upon arriving to the town in which the house is located he finds the locals hilariously inhospitable, they tell him there are no rooms in which he can take in a deserted inn, and even so far as to put his luggage on a horse and carriage and spend him back to the train station. While it all seems a bit silly, it certainly heightens intrigue, and the cast are all quite good as the scared and grieving townsfolk, particular the eerie young children (cliches work for a reason). The bleak old time English scenery also, adds a lot to the macabre feel of the film.

Audiences discover whats happening quite early in the film, with children's deaths abound in the small town to which Kipps has arrived, the link to The Woman In Black becomes painfully clear, although the promise of how things will unfold is the saving grace of this early reveal.

Kipps stays surprisingly composed throughout the film, despite the fact he is being haunted by The Woman in Black, and that he has had many sleepless nights. More of a sense of urgency might have benefited his plight, and I wish he would have stopped apologising to other characters about his worn appearance when even after running into a downpour and in other instance a fire within the film, afterwards he looked completely fine. It is hard to tell if this is the fault of Radcliffe or the writing, although he does seem too young for the part. The flaw becomes most apparent when Kipps spends all night of Eel March House, and experiences a number of traditional ghostly apparition encounter, including locked doors opening up themselves, a rocking chair moving, wind-up toys starting, and a whole bunch of candles going out etc.

While audiences become aware of The Woman In Black's story midway through the film, thanks to letters of hers that Kipp finds at Eel Marsh House (which are chillingly narrated by Liz White), the ending is still unexpected, although the idea of it is somewhat ruined by cliched sentimentality.

Rating 3/5

Sunday 27 May 2012

Californication Season 5 Final Recap & Review (5.12: Hell Ain't a Bad Place to Be)


Hank arrives at Karen's house and Bates greets him at the door. He tells Bates that either he has to tell Karen about letting his sponsor give him a blow job of Hank will. Bates tells her he needs to be free and that their marriage is over, and surprisingly she is relieved. Before he leaves, Bates tells Hank and Karen their is still love between them, and that Hank needs to stop using his shenanigans as a way at keeping her at arms length because he is afraid. As soon as Bates leaves, they have sex.

In bed, Hank suggests they back their bags and leave, and Karen tells him than rather than always running, he should stay there in the house with her, and wait and see what happens.

Later Hank meets with Becca, and she tells him that he has to let her make her own mistakes, and that after Tyler apologised for his behaviour she forgave him, they made love, and are now engaged. Hank is violently sick upon hearing this, but Becca tells him that just because they're engaged, it doesn't been they'll be getting married anytime soon.

At Charlie's house, Marcie tells him that Lizzie quit, and that she knows about Stu and Lizzie. Charlie is relieved and tells her he was having a trouble keeping it a secret, but she didn't actually know and tricked him to see if it was true or not. Distraught, Marcie goes to confront Stu at the studio. Saying that she is too upset too drive, Charlie offers to take her.

Hank arrives at the studio to talk too Tyler, and Stu reveals that Tyler is missing, and that Samurai has locked himself in his trailer because he has a bug up his arse about Tyler. Hank goes to talk to Samurai in his trailer, and tells him that after offering Callie a part in the film that she told him she didn't love him, and that she slept with Tyler the previous night. He tells Hank, while waving a gun around, that he now has to kill Tyler, and Hank tells him he has to let it go. He convinces Samurai to come out of his trailer and continue filming, and Hank tells Tyler that he just saved his life and as reimbursement, he wants Tyler to resend his marriage proposal to Becca and leave her alone.

Filming resumes, but when Samurai sees Tyler flirting with Callie, he pulls a gun out on him. Hank intervenes telling Samurai that he'll have to shoot him first to get to Tyler, and that he also slept with Callie. Charlie and Marcie pull up, and as Samurai goes to fire the gun at Hank, Charlie jumps in front of it, and he is shot in the arm. Marcie grabs the gun out of Samurai's hand and pistol whips Stu, telling him he'll be hearing from her divorce attorney. Callie tells Samurai that him shooting someone for her is the most single romantic thing anyone has done for her, and the pair embrace. Karen rings Hank to confirm their dinner, and asks him to get some wine.

Hank returns to Charlie's house where he finds Carrie waiting for him. She tells him she lost her job and that she's been having difficulty finding one in L.A so she thought she'd look Hank up. He says he has to leave and she asks him what Karen has that she doesn't, and if Hank ever loved her. Hank refuses to sleep with her and agrees to one drink, which he sulks. Carrie stumbles, and reveals that she shouldn't be drinking while taking the anti-depressants she's on - since Hank dumped her. Hank tries to call an ambulance, and asks her to tell him how much she has taken, to which she replies that she's taken no more than him. As he falls on to the couch Carrie tells him it'll look like they we're in love with each other when they're found together, and Hank imagines running onto Karen's front lawn on a sunny day and embracing Karen and Becca before passing out.

This episode surprised me, obviously all of the secrets that have been developing season-long had to be revealed, but I was quite entertained by the way some of them were handled, not what I would have expected, which is always good. Of course Bates is gone so now Karen and Hank can be together. Honestly, I'm no longer invested in their relationship, Karen should know better. As much as I hate Tyler, I think he plays against Hank quite well, and their scenes together are always interesting, and I like how he is compared and contrasted with a young Hank. I think he'll be back next season, there's no way he'd listen to Hank. It looks like Stu might be done for too, wish I don't know how I feel about, if Hank and Karen and Charlie and Marcie get back together it is going to make me appreiate the seasons in which they had other temporary partners less and less. I doubt Lizzie will be around much longer, and I don't expect to see Samauri or Callie again. But then there's Carrie, hopefully she dies, because to be honest, I was annoyed when she showed up earlier this season as the crazy girlfriend, and was surprise she was written out so quickly, but I guess I shouldn't have spoken so soon... Oh well, she certainly provided one hell of a cliffhanger.
Rating: 3.5/5

Saturday 26 May 2012

Happy Endings Season 2 Final Recap & Review (2.22: KickBall 2: The Kickening)


Crazy Alex signs the gang up for a kickball competition in order to advertise her store, Xela, and you know when an episode of Happy Endings starts off with everyone agreeing with the shows most bizarre and painfully ignorant character that a high amount of ridiculousness is going to ensue.

Of course, hyper-competitive Jane has already signed up with another team, South side Kaz's Auto body Shop, spurring her sibling rivalry with Alex. They replace her with Scott, who is high on steroids.

Poor Dave, once again the butt of everyone's jokes because of his inability to be good at anything, this time because of a previous kickball incident in which he hit Penny in the face, resulting in jips. He tells Max that the elderly Chinese woman pitching know his game plan.

The gang talk big about loyalty to Jane when they meet Kaz's Auto body Shop team in the semi-finals, before replacing Dave with Chicago Bears line-backer Lance Briggs. Jane pitches Alex out, and they lose, but later Jane reveals they're meeting Ivanoc Nail Salon in the championship final, after Kaz's Auto body shop were disqualified for corking their sneakers with metal.

Naturally, Scotty suffers a serious injury when Max taps him on the back, forcing Dave to play. Dave kicks the ball, and running to the next base, it hits Penny in the face. It bounces off and Ivanoc's Russian captain catches the ball, winning them the game. Xela celebrate Dave overcoming his nerves, as Penny lies crying on the ground.

Compared to last week's episode Four Weddings and a Funeral (Minus Three Weddings and One Funeral, this episode left a lot to be desired in terms of a season final. While we got to see the gang all together, which is generally when sitcoms have their best episodes, the kickball theme was overplayed and over the top.

Quote of the episode:
Kickball Commentator: 'In my thirty-six hours of covering kickball folks I've never seen anything so confusing.'
Rating 2.5/ 5

Ringer Series Final Recap & Review (1.22: I'm The Good Twin)


What’s with all these television shows teasing out their final episodes? A constantly guilty Bridget wakes from her wedding dream just as a threatening Bodway Macawi walks towards her. Someone’s getting cold feet.

And now off to rehab, where she receives her one year chip. Really? Bridget stills has time to go to these meetings when she’s not trying to take down ponzie schemes, or having to deal with her fake soon to be renewed husband’s schizophrenic now lesbian ex? Bridget sure knows now to multitask. And… WHERE IS MALCOLM? She reveals to her group she plans to come clean to her family about who she really is.

Solomon tells Bridget what we are all thinking. The whole point of becoming Siobhan was too hide from Macawi, and revealing herself as Bridget would mean wasting all her time she spent posing as Siobhan to protect her life. I suppose it’s meant to demonstrate character growth or something, Bridget will now rather die than hurt the ones she’s grown to love but… common sense, Bridget!

Tim Abargast (love that surname) conveniently buys out Martin & Charles. God forbid any main character in a drama series pays for they’re actions, so yes, Andrew doesn’t go to jail, but unbeknown to him, gains a boss who really has it out for Siobhan and Henry.

At the hospital Henry finally stands up to Siobhan, he wants to leave for Chicago to be close with his family, and he’s only waiting for her, and she’s… possibly still hung up by her vendetta against Bridget.

Machado gets his badge back, on the condition he severs all ties with the Bodway Macawi case. Like that’s ever going to happen!

Bridget (as Siobhan) returns home to find Jimmy in her apartment, he tells her he no longer wants to be Macawi’s bitch, and he wants Siobhan to pay him like she did last time. Cue the flashback! Despite knowing everything that happened all already, it’s always still interesting to see how things unfold. This leaving Bridget in a sticky situation, she has to pay James, because otherwise he is still working for Macawi, which means he will still be after her.

Henry comes home and Siobhan is packing, for Chicago, where she says she will meet him when the twins are ready to fly, leaving her enough time to try one last scheme against Bridget I bet.

In Denver, Colorado at the FBI Headquarters someone tells Machado that a body has been found that matches the facial structure of Malcolm Ward, and that Jimmy has escaped from prison. If that doesn’t put a person back on a case I don’t know what does.

At dinner, Bridget plans to tell Andrew and Juliet that she is not Siobhan, but it can’t be that easy, right? Juliet gets an urgent text from her friend Andrea and leaves the room, and then Andrew gets all soppy talking about vows, poems and love.

In the South Bronx, Jimmy tries to leave with the money Bridget as paid him, but as he does so Macawi confronts him. Jimmy tries to explain and tells Macawi that Siobhan is Bridget, but Macawi kills him. I which they had had more of his character throughout the series, he had the potential to be truly menacing, but he just didn’t get enough screen time.

Bridget continues to ponder Siobhan’s actions, as she’s been doing all season: why would she pay someone to make Bridget run to her and then commit suicide a few days later? Hmmm. Also she’s given a gun by Solomon who is going to the Hampton’s later do to some more pointless investigating.

Siobhan opens Henry paternity test, and confronts him about it. He asks her what it says, and she tells them the girls are his. But shock horror, once he walks away Siobhan reads it revealing that he is not the biological father.

As Andrew leaves the office Tim tells him that he has to tell him the truth.

Andrew arrives home at their going away party, and makes a huge scene, telling Siobhan he knows about her affair with Henry, and that the marriage is over.

Siobhan calls out to Henry as she’s looking over her accounts, they’re empty and Henry reveals he took the money. He tells her that he wanted to take away the one thing that meant something to her. He reveals he rang the hospital before the arrival of the letter to find out his paternity. He tells her he is going out, and that he wants her gone when he gets back. You go Henry!

At her now empty apartment Bridget sees that Jimmy has been killed on the news and knows that Macawi is in New York. She calls Machado for help, but he tells her his job is on the line. Andrew arrives home and Bridget tells him… that she’s Bridget!

Andrew is understandably conflicted with emotion: he loves Bridget, but their entire relationship is a lie. Bridget tells him she regrets everything she’s done expect for loving him and Juliet, because having two people in her life that love her kept her sober. He tells her to leave.

She goes to her friends house, where Juliet has been, and tells Juliet she’s Bridget as well. Juliet tells Bridget she’s worse than her mother and leaves.

Andrew goes to Henry’s house and punches him in the face.

Andrew and Juliet, with luggage in hand, wait outside their apartment building, heading to the beach house. As they leave, Siobhan sneaks out into the lobby. As she’s stealing jewellery from the apartment, all the security feeds go out at the security guards desk and Siobhan hears a smashing sound before Macawi attacks her.

Bridget returns home in an attempt to reconcile with Juliet. She walks into the lobby and finds the security guard dead. She confronts Macawi with Solomon’s gun, and Siobhan runs off, Bridget thinking Macawi was chasing Juliet. Macawi lunges at her, and Agent Machado enters the room, and Bridget shoots Mawai in the face.

As Siobhan looks at her babies, she tells them she has to get her old life back.

Solomon returns from the Hampton’s with security footage from the marina Bridget and Siobhan took the boat out from. It shows that Siobhan is alive three hours after Bridget presumed her dead.

Bridget goes to Henry’s apartment and confronts him. He tells her why Siobhan wanted Bridget to take her place, she knew someone was trying to kill her.

Rating 3.5/5

Wednesday 23 May 2012

The Big Bang Thoery Season 5 Final Recap & Review (5.24: The Countdown Reflection)


I love the fact that Howard is achieving one of his biggest dreams, yet he is so afraid to do it at the same time. It shows some depth to his character, and with him marrying Bernadette in this episode as well, he's come a long way. The scene where he gives her a star necklace is touching, but simultaneously crude as he asks her 'Close your eyes. Put out your hand I got you something special', to which she replies 'Come on, Howard, I'm not falling for that again.' Ewww!

I can't say I cared for the retelling of the wedding once Howard was already in the spaceship, but I guess the writers thought it might have been a good way to hook viewers at the beginning of the episode, despite the fact it was painfully obvious they were getting married in the episode.

I loved that Amy wore her bridesmaid dress and tiara to city hall, but I'm not so sure how much of Amy I will be able to handle as she continues to try and change the relationship her and Sheldon share. Thus far it's been amusing, but how long until Amy says enough is enough? Or the even worse possibly, how long until she changes our beloved Sheldon? Sheldon grabbing Amy's hand at the end of the episode as Howard's rocket went into space was a little of enough gesture for me to breathe easy that the writers aren't going to go too fast with this, and that Sheldon will remain as he is.

I'm annoyed Leonard and Penny have hit their rough patch already. And they're fighting over exactly the same thing that broke them up last time, Leonard being too emotionally ready, while Penny in emotionally stunned! I mean, we had to deal with all this two seasons ago, why must we go through the exact same thing again? Hopefully this is cleared up soon, and next season the writers can try and do something different with the couple.

The fact that the entire gang became ordained ministers to oversee the marriage was cliched and full of sentimentality, but what are you going to do, it's a sitcom wedding, that's what they are. I did love everyone's speeches however, similarly touching and amusing.

I was wondering how they were going to incorporate Mrs. Wolowitz into the wedding without her being seen. Having her sitting so far away was a lame idea in my opinion, surely they could have come up with something better?

It's very much a bummer feeling constantly bad for Raj, and to be honest, I'm sort of dreading the disillusion of his bromance with Howard now that he's married to Bernedtte. I always was a little annoyed that we never actually got to see too much of just Raj and Howard just hanging out together, instead we were given constant homosexual jokes about their relationship.

Overall, a pretty standard season final, but it most definitely felt like the closing of a chapter, and next season each of the three main couples will be in interesting stages of their relationships. I'm hoping writers are able to keep the dynamics of the couples, and their context within the group, fresh and interesting. And while they're at it, give Raj something to do.

Rating: 3/5

Alcatraz Series Final Recap & Review (1.13: Tommy Madsen)


The episode opens with Rebecca Madsen lying on a road, holding a wound on right side of her stomach, in agonising pain. In the background, an overturned car is on fire.

36 hours earlier she it at her uncle Ray's bar, talking with her old police captain. She tells him that the new task force she is on is investigating a crime syndicate, which they believe the man who killed her partner, Will Peters, is apart of. She tells him she thinks the murder she personal, and that perhaps Tommy knew Will, and asks him whether or not there was anything that wasn't in Will's police file. Her captain tells her Will was the subject of an investigation at the time of his death, as he was receiving suspicious payments from Broadway Mutual, billionaire ex-con Harlan Simmons company and that it was never determined whether or not he was receiving bribe money.

A stressed Joe Limerick enters a secure lobby of a psychiatric hospital and bangs on the window of the reception desk. The receptionist doesn't let him in until he holds up a Broadway Mutual ID card. When he enters he tells her that he is a prisoner from Alcatraz returned from 1960, and that some bad people are after him and he needs a place to lay low. As he settles in, he tells the staff his story, until he is alone in his room where he pulls out a key.

Back on Alcatraz in 1960, Tommy Madsen talks to Joe Limirick through his cell. Joe has just been returned there after an escape attempt, and is soaking wet, wrapped in a blanket. Tommy tells Joe that the warden signed his death warrant stating he died trying to escape. Warden James arrives and removes Tommy from his cell. He takes him to the infirmary and Tommy asks him if he will be taking more blood, to which he replies this time they will be giving his blood back, and a man starts the blood transfusion as Tommy screams in pain.

Back in 2012, Tommy breaks into a man's house and confronts him while he is sleeping on the couch. Tommy asks him where his wife is, when he says he doesn't know, Tommy tells him to text her to come home, and they they are going to wait for her. Meanwhile, the man's young daughter, having seen Tommy threaten her father runs into the backyard and into the woods.

On Alcatraz, Dr. Beauregard takes Lucy's blood-pressure. She's asks him why some of the returned prisoners on Alcatraz have silver in their blood why others don't, to which he replies that he doesn't know, and thought that she would have a better chance at knowing them him. She asks him if he thinks they can isolate the silver in the blood, and he tells her he has already started his investigation into it and will let her know.

Hauser watches the recording of Lucy's interview with Ernest Cobb, where he informed her that as long as she is alive she is still her target. Lucy walks in on him and he tells her that they need to limit her exposure before he receives a message telling him they've got a possible ID on Tommy Madsen.

They arrive at the police station where the little girl whose father was attacked has identified Tommy Madsen, but is in shock after the events, and cannot tell the police where she lives or her last name. Rebecca and Soto try to get the information by drawing a picture of a cat, and leaving out the eyes. When Rebecca asks her what the cat sees, she tells them her father was fighting with Tommy.

Back in 1960, Tommy awakens after his blood-transfusion in Nob Hill, San Francisco. Warden James arrives and tells Tommy that he can do a lot of things for him and vice-versa. Tommy tells him that he feels great, and the warden suggests they go for a walk.

In 2012, Tommy awaits the arrival of the mans wife. Upstairs, the man frees himself from his binds and retrieves a pistol hidden under his bed. His wife arrives home and Tommy confronts her with a gun at the front door, but the man, Michael, shoots him from the stairs and Tommy whips around and returns fire, shooting him in the shoulder.

At the police station the girl gives Rebecca and Soto her address. They arrive on the scene and an injured Michael tells them Tommy took his wife about ten minutes earlier.

In a public bathroom, Tommy makes Michael's wife sew up the bullet wound in his leg. She tells him he'll need to see a real doctor, to which he replies that he will heal just fine.

In a plane on an airstrip Hauser meets with a man in an army uniform. Hauser asks the man to get him in touch with Harlan Simmons, telling him Tommy Madsen is active again, and that he has a peculiar interest in Simmons and Hauser needs to know why. The man asks Hauser if this means Warden James is back, to which Hauser replies that'll be the first question he asks Madsen when he catches him. The man tells Hauser he doesn't have the authority to get in contact with Simmons, but that he has the papers Hauser asked for: a passport for Lucy. Hauser reveals he plans to take her to Paraguay in an attempt to protect her, but that he'll need to go with her and help her settle in. The man then tells Hauser before he does this he must brief his team.

At Alcatraz Lucy, Soto and Rebecca investigate Michael's wife, Georga Bradley, and what Tommy might possibly want with her. Rebecca wonders why the 63's are fighting each other. Hauser arrives, and lets Rebecca and Soto follow him into his secret meeting room, where one of his associates is waiting. Hauser reveals he believes Tommy is after a third key that opens a secret compartment under Alcatraz, and that he thinks Warden James might be behind everything. He also reveals why he's telling them now, because he plans to take Lucy to Paraguay, Lucy overhears this and tells them she's found the link between Georga and Broadway Mutual she works at the psychiatric hospital owned by the company, and the computer has picked up that she has just arrived there.

In 1960, Warden James and Tommy Madsen sit at a North Beach restaurant. The warden asks Tommy if he could have one thing in the entire world, what would it be?

At the psychiatric hospital Tommy uses Georga to break into Joe's room, he trashes the place searching for something, and Joe arrives. Tommy asks Joe for the key, and Joe swears he doesn't have it, and a chase ensues.

Back at Alcatraz, Dr. Beauregard informs Lucy that the silver can't be isolated from the blood stream, and that it will be in her forever. Beauregard asks her if she will go to Paraguay, and states she probably feels obligated too, after Hauser spent 50 years looking for her, to which Lucy replies that she feels a lot of things, including the fact that Hauser is no longer the same man he once was.

In 1960, Warden James takes Tommy to see his son, who is playing in his front garden. Tommy speaks to him, but the boy doesn't know him and runs inside, afraid. Tommy returns to the warden and tells him that he knows what he wants from him.

At the psychiatric hospital Tommy corners Joe, telling him he can protect him from Harlan Simmons if he hands over the keys. Joe tells Tommy he can't and he jumps out a window, committing suicide. At that moment, Rebecca, Hauser and Soto arrive. Rebecca goes into the hospital and finds Georga who tells her that Tommy has gone down the garbage chute, into the parking garage under the hospital. He breaks into a car and escapes, while Rebecca commandeers a civilian's car to pursue him.

Back at Alcatraz in 1960, Ray enters an interrogation room, where Tommy sits waiting for him. Tommy tells Ray he needs him to leave Alcatraz, and gives him an envelope containing adoption papers for his son, Ben. Ray refuses, and Tommy tells Ray how he killed his wife. He tells him his termination papers are also in the envelope. Ray leaves, and Tommy turns to the double sided mirror in the room, and Warden James is seen standing on the otherside.

As Rebecca continues to chase Tommy through the streets of San Francisco, Hauser pats down Joe's corpse in search of the key. Soto finds it on him however, and Hauser demands the key, but Soto says he's not giving the key to Hauser until they find Rebecca and open the door in Alcatraz together. Hauser pulls a gun on him as he enters his car, but Lucy stops him.

Rebecca catches up to Tommy and clips the back of his car, which flips over several times. She gets out of hers and pulls him from the wreckage before his car explodes. Tommy reveals he killed Will Peters, her partner, because he was being paid by Simmons to keep eyes on Rebecca to get to Tommy and the other 63's. He also tells her that Harlan broke a promise to Warden James, causing all this inmate warfare. He asks her if Ray really told her how her parents died, before taking her by surprise and stabbing her in the stomach. He flees in the car Rebecca commandeered, and seconds later Soto arrives.

At the hospital, doctors start surgery on Rebecca. In the waiting room, Hauser tellsLucy this is why he needs to take her away, and she says its precisely why she can't leave, and that together they'll be able to figure everything out. Ray arrives and Hauser tells him it was Tommy that stabbed Rebecca. Angry that Hauser pulled Rebecca into the 63 project, he demands that he and Lucy leave. As they do so Soto gives Hauser the key. Hauser tells him he can come and open the door with them, but he declines, saying Rebecca is more important.

Hauser and Lucy return to Alcatraz and open the door. Inside they find old technology, two switch boards, and a map of the U.S. Hauser turns on the power and the equipment turns on. Lucy touches a pin on the map of the U.S. and the dots on the map start to light up. Lucy states that the pins represent where Alcatraz inmates would return home. They the board was used to mark where prisoners would go once they left Alcatraz.

In the same room in 1960, the doctor that performed the blood-transfusion on Tommy tells Warden James he successfully tracked everywhere they went that day.The two men turn to Tommy asking him if he's willing to be their advanced man. He tells them he guesses he doesn't have a choice having life in prison, to which the doctor replies he could be out of Alcatraz in three years.

Back in 2012, Hauser and Lucy hear a noise somewhere else in the room. They go to investigate and find a man lying on the floor; the doctor from 1960. He asks them what year it is. They tell him and he bursts into uncontrollable laughter.

At the hospital, Rebecca flatlines, and the doctors call her time of death.

Overall, the episode left much to be desired, especially now that Fox has decided not to re-new for a second season. For majority of this season Alcatraz and perfectly balanced it's procedural elements while carefully continuing to build a serialised mythology as the show progressed. Unfortunately, this week, it was pure mythology building, and the episode titled Tommy Madsen was not so much about Rebecca's grandfather and his crime, but rather told the story of Warden James beginning to incorporate Tommy into his grand scheme. Another reason this caused a problem with me is that each week we've been treated with another entrancing criminal, some more entertaining than others, but nonetheless always enigmatic and captivating. Tommy himself possessed these characteristics earlier in the season, back when he seemed to be pulling the strings and manipulating other inmates on Alcatraz, but in this episode he was but a very boring pawn in Warden James' game.
The revelations one generally awaits in series finals were also disappointing. Most of them seemed to be within the context of the show, Rebecca and Soto were finally allowed into Hauser's secret room in Alcatraz, and he and his scientist friend told them their theories, but nothing all that substantial. Lucy discovered the silver in her blood cannot be removed. So? Rebecca also finally discovered why her partner, Will Peters, was targeted by Tommy in the pilot. But that happened in the pilot, and we're not so much concerned with discovering answers to things that happened back then.

We did however discover what the keys opened, but nothing inside was all that revolutionary. Basically, the silver injected into the prisoners bloodstream allows them to be tracked by Warden James. That's handy, but surely the silver has to serve some other purpose as well, right? Not only that, but the warden's blood-transfusion doctor seemed to have jumped there. Yay, another mysterious person who won't provide any insight whatsoever into what is happening.

The biggest shock of the episode, Rebecca's death, was also annoyingly pre-empted by having her sporting a wound at the beginning of the episode and then winding back the clock. I understand that you need a way to hook viewers, but I would have been much more surprised by Rebecca's stabbing if the sequence of events had occurred in a normal timeline.

It's a pity, I thought Alcatraz was one of the few shows that balanced its procedural and serialised mythology elements effortlessly from the get go. Oh well. I hope one day the creator at least tells us what she had planned to happen.

Rating: 3/5

The Walking Dead Season 2 Final Recap & Review (2.13: Beside The Dying Fire)



The first half of the episode is non-stop action as a herd of Walkers, having been following a helicopter, are distracted by Carl's gunshot, and follow the sound to a clearing where Rick and Carl are returning to the farmhouse after Shane's death and transition into a Walker.

Daryl and Glenn return to the house and tell the others that Randall had turned into a Walker, despite the fact he was killed by having his neck snapped, and not bitten or scratched by another Walker. They soon spot the herd of Walkers approaching the farm and decide to use their vehicles to try and lead the Walkers away, despite how large the herd is. Lori goes into her 'I won't leave without my child!' spiel. Calm down, Carol, we only had to listen to this for three quarters of the second season after all.

Meanwhile, surmising that they won't make it to the farm, Rick and Carl hide inside the barn, and Rick douses the ground in gasoline. Rick hands Carl a lighter and sends him up to the hayloft before opening the doors. As Walkers pour in, Rick hurries up the ladder and Carl drops the lighter. The barn bursts into flames.

With Daryl on his motorcycle, Jimmy in Dale's RV, Andrea and T-Dog in Otis's truck, and Glenn and Maggie in Shane's SUV the group drives towards the walkers starting to mill at the fence surrounding the barn. They drive past continuously, shooting as many as they can. Noticing the fire, Daryl sends Jimmy with the RV to pick up whoever starting it, believing it to be either Rick or Shane. Rick and Carl jump on the RVs rooftop as walkers surround the vehicle. The walkers break inside and tear Jimmy apart, while Rick and Carl run. So begins the culling of unnecessary secondary characters introduced this season.

Back at the farm the others realise there is too many Walkers and that they must run, Lori is persistent to stay and find Carl, but Carol convince her to leave with her, Beth and Patricia. Hershel, who is shooting from the front of the farm, doesn't hear the women screaming for him, and continue culling the oncoming walkers. As they run, walkers grab Patricia and rip into her throat, Beth is stunned, and Lori must pull her away. Up ahead, Carol, too, has become surrounded by walkers. Andrea and T-Dog arrive in Otis's truck and Lori and Beth hop in, while Andrea hops out too help Carol. Andrea shoots two of the walkers surrounding Carol dead before a third walker attacks her from behind. She spins around and fires. From Otis's truck, Lori, Beth and T-Dog see the walker fall on Andrea. Walkers swarm the truck and T-Dog drives away, while Carol has vanished.

Elsewhere, Glenn and Maggie find their car surrounded too, and are forced to leave the farm. Back at the house, Hershel continues to fend off walkers (so what do you know, he doesn't die). Rick arrives and convinces him it's time to leave. Along with Carl, they escape in Hershel's SUV. Andrea, unhurt, tries to flag Rick down as he drives away, but he doesn't notice her. She flees on foot with the bag of guns. Daryl rescues Carol on his motorcycle, and they ride away. The barn continues to burn and eventually collapses as the RV is destroyed.

Other then some continuity issues with the logistics of everyone location, there were several instances in which characters would be directly next to each other, and two second later be separated by the farm, these scenes were fast-paced and enthralling entertainment.

I was a little disappointed that having the group separated into smaller groups didn't last a bit longer. I always love it when television shows change the dynamics between the characters. For example, I would have loved to see more of just Lori, Beth and T-Dog travelling in Otis's pickup together, but alas it was not to be. That being said, kudos has to be given to the logic of all of these characters, they never discussed where they should meet if something happened, but they were all smart enough to return to the highway where they left supplies for Sophia earlier that season. Accept for poor Andrea, who has been running all night from walkers, and is now out of ammunition. A walker topples her, but before it can bite her its head is sliced off. As the walker's body slumps over, Andrea sees standing before her a hooded stranger wielding a samurai sword and two jaw less and armless walkers chained at the neck with shackles.

Later, the other survivors caravan down a country road. Hershel's SUV runs out of gas. Rick declares they'll camp by the road and scavenge in the morning, but the others doubt him. From here, there are revelations abound, mostly because Rick seems to have gone off the deep end and just can't keep his mouth shut. He reveals that Jenner told him they are all infected with the walker virus, so when they die, they will come back. The others are furious at him for keeping it a secret. And Rick reveals that he was doing what he thought was best for them, which including killing Shane. Carol and Maggie express they are eager to leave the group, and rick tells them they're most welcome to try and get by by themselves and to see how'd they do. No one leaves and he tells them the group isn't a democracy anymore. In the distance, a large structure looms; a prison.

While there's plenty of plot threads to keep audiences eagerly awaiting next season, including the hooded figure and the prison, it's the character development I'm most excited about. Rick's transition from reluctant hero to ruthless dictator has been a swift one, and we are yet to see the full repercussions. It will be interesting to see what he is willing to do, if he will further transgress into a Shane like character, and even more interesting how the group of survivors will react to his new leadership strategy.

Rating: 4/5

Tuesday 22 May 2012

A Look AT The CW's New Dramas (2012 - 2013)

Arrow

The CW's pitch: After a violent shipwreck, billionaire playboy Oliver Queen was missing and presumed dead for five years before being discovered alive on a remote island in the Pacific. When he returns home to Starling City, his devoted mother Moira, much-beloved sister Thea, and best friend Tommy welcome him home, but they sense Oliver has been changed by his ordeal on the island. While Oliver hides the truth about the man he's become, he desperately wants to make amends for the actions he took as the boy he was. Most particularly, he seeks reconciliation with his former girlfriend, Laurel Lance. As Oliver reconnects with those closest to him, he secretly creates the persona of Arrow—a vigilante—to right the wrongs of his family, fight the ills of society, and restore Starling City to its former glory. By day, Oliver plays the role of a wealthy, carefree and careless philanderer he used to be—flanked by his devoted chauffeur/bodyguard, John Diggle—while carefully concealing the secret identity he turns to under cover of darkness. However, Laurel's father, Detective Quentin Lance, is determined to arrest the vigilante operating in his city. Meanwhile, Oliver's own mother, Moira, knows much more about the deadly shipwreck than she has let on—and is more ruthless than he could ever imagine.


My Thoughts: There's not much to go on here, and viligante justice is always interesting, but will this just be an attempt to replicate Smallville's success? I don't think I'll be watching.

Beauty and the Beast

The CW's pitch: Detective Catherine Chandler is a smart, no-nonsense homicide detective. Several years earlier, Catherine witnessed the murder of her mother at the hands of two gunmen. Catherine would have been killed too, but someone—or something—saved her. No one has ever believed her, but she knows it wasn't an animal that attacked the assassins...it was human. Years have passed, and Catherine is a strong, confident, capable police officer, working alongside her equally talented partner, Tess. While investigating a murder, Catherine discovers a clue that leads her to a handsome doctor named Vincent Keller, who was reportedly killed by enemy fire while serving in Afghanistan in 2002. Catherine learns that Vincent is actually still alive and that it was he who saved her many years before. For mysterious reasons that have forced him to live outside of traditional society, Vincent has been in hiding for the past 10 years to guard his secret—when he is enraged, he becomes a terrifying beast, unable to control his super-strength and heightened senses. Catherine agrees to protect his identity in return for any insight he may have into her mother's murder. Thus begins a complex relationship between Catherine and Vincent, who are powerfully drawn to each other yet understand that their connection is extremely dangerous for both of them.


My Thoughts: Another attempt to contemporise old fairy tales with a gritty urban setting. It might be okay, but I won't be watching.

Emily Owens, M.D.

The CW's pitch: At long last, Emily Owens feels like she is an actual grown-up. She can finally put her high school days as the geeky-girl-with-flop-sweats behind her; she's graduated from medical school and is now a first-year intern at Denver Memorial Hospital, where she'll have the chance to work with world-famous cardiologist Dr. Gina Beckett—and where, not-so-coincidentally, her med-school crush Will Rider is also an intern. So why does everyone keep warning her that the hospital is just like high school? Emily soon finds out the hard way—her high school nemesis, the gorgeous, popular Cassandra Kopelson, is also just starting out at Denver Memorial, and it seems like they're rivals all over again—not only as surgical interns, but for Will's attention. Fellow intern Tyra Granger warns Emily that the cliques at Denver Memorial are all too familiar: the jocks have become orthopedic surgeons; the mean girls are in plastics; the rebels are in the ER, and Tyra has her own awkward place as the principal's kid—her father is the chief resident. Emily's the new kid all over again, and it's just as awkward as high school. Only this time around, Emily will have to balance the personal and emotional turmoil of social politics with the high-stakes world of life-and-death medical decisions. At least she has fellow intern Tyra and nerdy-but-cute resident Micah, to count on as friends. Emily is growing to realize that although she may be a geek, she may also grow to be a great doctor, flop sweats and all.


My Thoughts: Emily's inner-monologue annoys me already, and I'm not sure how much awkward fish-out-of-water fare I can handle in a medical drama. I won't be watching.

When The CW releases a trailer for its other dramas, Cult and The Carrie Diaries, which are set to debut mid season, I will post my thoughts here.

Monday 21 May 2012

A Look At Fox's New Comedies (2012 - 2013)

Ben & Kate

Fox's pitch: Ben and Kate, the heartwarming new sibling comedy created by Dana Fox (What Happens In Vegas) and directed by Jake Kasdan (Bad Teacher), debuts this fall. Starring newcomer Dakota Johnson and Nat Faxon (Bad Teacher, Academy Award-winning co-screenwriter of The Descendants), the comedy follows a pair of odd-couple siblings—one, an overly responsible single mom; the other, an exuberant kid-at-heart—and their friends as they push each other out of their comfort zones and into real life.


My Thoughts: Faxon's lovable-buffoon is overplayed, and I don't much care having to watch him get into funny situations each week while his forever embarrassed sister helps him out of them. I won't be watching.

The Goodwin Games

Fox's pitch: The Goodwin Games, the inventive new comedy from the executive producers of How I Met Your Mother, Carter Bays, Craig Thomas, and Chris Harris, is slated for midseason. Starring Scott Foley (Grey's Anatomy, Felicity), Becki Newton (Ugly Betty) and Jake Lacy (Better With You), the family comedy tells the story of three estranged siblings who return home after the loss of their beloved father (guest-star Beau Bridges, The Descendants), and unexpectedly find themselves poised to inherit more than $20 million—if, and only if, they can adhere to their late father's trivial wishes.


My Thoughts: While the premise seems a little far-fetched, there's enough entertaining characters here too overshadow that. I'll check it out.

The Mindy Project

Fox's pitch: Created by Emmy-nominated writer/producer and New York Times best-selling author Mindy Kaling (The Office) and starring Kaling, Chris Messina (Damages), Anna Camp (The Good Wife) and newcomer Ed Weeks, The Mindy Project features Kaling as a skilled OB/GYN navigating the tricky waters of both her personal and professional life, as she pursues her dreams of becoming the perfect woman, finding the perfect man, and getting her perfect romantic comedy ending.


My Thoughts: Mindy's not necessarily a likable lead, but in this case it seems its because she's more of a three-dimensional character. I could do without the medical backdrop. I might check it out.

A Look At Fox's New Dramas (2012 - 2013)

The Following

Fox's pitch: Edge-of-your-seat thriller The Following, created by Kevin Williamson (Dawson's Creek, Scream franchise) and starring Golden Globe Award-winning Kevin Bacon (X-Men, Frost/Nixon) and James Purefoy (Rome), premieres in midseason. The spellbinding and intense drama follows an ex-FBI agent (Bacon) called out of retirement to track down a devious and diabolical serial killer (Purefoy), the mastermind behind a nationwide string of murders.


My Thoughts: This looks dark, and there's obviously the baseline to build an intense relationship between Bacon and Purefoy's characters, but can a serial crime show withstand the distance? I might watch, but unlikely.

The Mob Doctor

Fox's pitch: The compelling new drama The Mob Doctor will debut this fall. Executive-produced by Josh Berman (Bones, CSI) and Rob Wright (Crossing Jordan), the engrossing character drama stars Jordana Spiro (My Boys) as a brilliant, life-saving surgeon caught in a complex web between her promising medical career and her family's debt to Chicago's Southside mob.


My Thoughts: This looks intense, with a lot of ethical and morals issues at play which is also good. Will be interesting to see where it goes from the pilot though, and it looks as if it will slip into a procedural. I won't be watching.

Sunday 20 May 2012

A Look At NBC's New Comedies (2012 - 2013)

1600 Penn

NBC's pitch: The Gilchrists are just the average American family dealing with all the everyday issues—like a grown kid who's forced to move back home, children who are smarter than their teachers and a stepmom (Jenna Elfman, Dharma and Greg) desperately trying to win over the kids. They're loving, fun, and a little crazy. In other words, just like everybody else. With one exception: They live in a very special house. The White House! Whether it's entertaining foreign dignitaries, sneaking away for a night out, dealing with middle school crushes or putting out fires—figuratively and sometimes literally—there's never a dull moment in the Gilchrist White House. For example, the First Son (Josh Gad, star of Broadway sensation The Book of Mormon) is one of the administration's biggest liabilities, but also the glue that holds this family together. The President (Bill Pullman, Independence Day, While You Were Sleeping) knows too well that the only thing harder than being Head of State is being head of the family. Also starring are Martha MacIsaac (Superbad), Andre Holland (Friends with Benefits), Amara Miller (The Descendants) and Benjamin Stockham (Sons of Tucson). Modern Family meets The West Wing in this election-year comedy from Emmy-winning executive producer/director Jason Winer (Modern Family). The executive producers are Winer, Gad, and Jon Lovett (former White House speechwriter).


My Thoughts: Gad seems genuinely funny in this clip, but looks like his character could tire easily, plus it's hard to see him fitting in to the White House. I'll watch, initially.

Animal Practice

NBC's pitch: Meet Dr. George Coleman (Justin Kirk, Weeds), a top-dog New York veterinarian. With an unorthodox style of operating, George's success comes from his undeniable gift with animals of all kinds. That is, all but the human kind. Dorothy Crane once held the key to George's heart, but today she also holds the key to the family business as she takes over Crane Animal Hospital. Not only is she George's new boss, but her romantic history with him and her lack of experience with animals is seriously cramping his style. Dorothy is whip-smart and ambitious, and she's going to make George pay for the past. Needless to say, he's determined not to make any changes in his (animal) kingdom—which includes poker games with a resident Capuchin monkey. Also starring are Tyler Labine (Reaper, Sons of Tucson) as Dr. Doug Jackson, a vet who's great with animals but hapless in matters of the heart, Bobby Lee (Harold & Kumar) as Dr. Yamamoto, and newcomer Betsy Sodaro as Angela. The executive producers are Scot Armstrong (The Hangover Part II, Old School) and Ravi Nandan (Best Friends Forever) of American Work Inc. (Best Friends Forever) along with Emmy Award winners Joe and Anthony Russo (Community, Arrested Development). Animal Practice was written by Brian Gatewood and Alessandro Tanaka (The Sitter), who also serve as executive producers. Gail Lerner (Happy Endings) also is an executive producer. Directed by the Emmy-winning Russo brothers, Animal Practice is a comedy where the animals are running the asylum.


My Thoughts: This looks charming, and could be mildly amusing while having a bit of heart, but I imagine the animal gags getting old fast. I won't be watching.

Go On

NBC's pitch: Misery loves company. Unless you're sportscaster Ryan King (Matthew Perry), who thinks misery should just be left alone. After taking some time off, Ryan—who recently lost his wife in a car accident—is now ready to get back to work. And while he seems like his same old charming, cocky self, his boss won't let him back on the air until he seeks counseling. So, Ryan reluctantly joins a support group with one goal in mind: Get in, get out and get back on the radio as quickly as possible. Played by the fast-talking, sarcastic, and charismatic Perry, Ryan gives grief a real run for its money. Within one day of group therapy, he hijacks the meeting and suddenly the downtrodden are cajoled into playing a game of "who's got the best sob story?" And in no time all of them are battling it out, trying to one-up each other's despair. Now, this is fun! Ryan's total lack of interest in healing might be just what this group needs—and maybe, exactly what he needs to move on with his life. Also starring Laura Benanti (The Playboy Club), Julie White (Transformers), Suzy Nakamura (Dodgeball), Khary Payton (General Hospital) and Allison Miller (Terra Nova).


My Thoughts: This looks funny, but Matthew Perry playing straight with a bunch of weirdos in therapy could get old fast. Plus, it looks like  the show has a more serious side, which could be a good or a bad thing depending on the viewer. I might watch.

Guys With Kids

NBC's pitch: From Emmy winner and executive producer Jimmy Fallon comes a new comedy about three thirty-something dads trying to hold on to their youth, while holding onto their new babies' hands. Easy, right? Thankfully, Chris (Jesse Bradford, The West Wing), Nick (Zach Cregger, Friends with Benefits) and Gary (Anthony Anderson, Law & Order) have each other to help navigate their survival as new dads, while still trying desperately to remain dudes. Balancing work or staying at home, painfully married or happily divorced, they know that taking care of the little ones while maintaining a social life is a daily challenge. Whether it's hosing the little squirt down in the kitchen sink or hitting the bar strapped with a Baby Björn, these guys are on a roller-coaster adventure—parenting like you (and they) have never seen before. Also starring are Jamie Lynn Sigler (The Sopranos) and Tempestt Bledsoe (The Cosby Show). Someone once said it is much easier to become a father than to be one. These three guys are about to find out just how true that is. Fallon (Late Night with Jimmy Fallon) serves as executive producer/creator along with executive producer/creator/writer Charlie Grandy (NBC's The Office) and executive producer/creator Amy Ozols (Late Night with Jimmy Fallon) as well as executive producers Rick Wiener and Kenny Schwartz (Two Guys, a Girl and a Pizza Place, American Dad). Emmy-nominated director Scott Ellis (Modern Family, 30 Rock) is the director.


My Thoughts: Another recent sitcom trying to find a funny way to tell the stories of modern day men, and unfortunately this one doesn't seem all that funny, or appealing to men for that matter. I won't be watching.

Next Caller

NBC's pitch: What happens when a foulmouthed satellite radio DJ—played by the multi-platinum artist and outrageously charming Dane Cook (My Best Friend's Girl)—is forced to share the mic with a chipper NPR feminist? It's anyone's call in this sharp new comedy from producer Stephen Falk (Weeds) and Emmy-winning director Marc Buckland (Grimm, My Name Is Earl). It's her first day in New York City, and 26-year-old Stella Hoobler (Collette Wolfe, Young Adult) is ready to take on the world. After a stint on public radio, she's been hired to co-host the no-holds-barred show "Booty Calls with Cam Dunne." Smart, spunky and passionate, Stella is determined to elevate the show beyond its boy's-club-locker-room humor into a respected debate about men, women, and the state of human relationships. But there's a problem: Cam! She's going to find out the hard way that he's got no intention of sharing the spotlight, especially with someone like her. It's going to be a tense fight, but with the station's one rule being "make some noise," Cam and Stella could be a winning combination—as long as they don't knock each other out on their way to success. Jeffrey Tambor (Arrested Development), Joy Osmanski (True Jackson, VP) and Wolé Parks (Premium Rush) also star. The series is created and executive-produced by Stephen Falk (Weeds) and directed by Emmy Award-winning director Marc Buckland (Grimm, My Name Is Earl).


My Thoughts: The concept is more interesting than  most of the other new sitcoms this season, but Dane Cook could easily be an unlikable lead. I might watch.

Save Me

NBC's pitch: Welcome to the Midwestern suburbs, where exciting things never happen. Well, almost never. After a near-death experience (choking on a hero sandwich), Beth is revived only to realize she now has a direct line to God. Of course, her husband Tom is skeptical and dismissive - and his mistress is all but hostile that her lover's wife is now a prophet! But when inexplicable things begin to happen, everyone's beliefs are tested. Beth starts to say and do things that shock her family and entrance her friends, but she isn't going to be your typical "fire and brimstone" prophet. Let's just say if God had a desperate housewife as His mouthpiece, Beth would be it! She is the absolute last person on Earth who would be chosen. Then again, they say He works in mysterious ways. And this one is a real mystery! Emmy nominee Anne Heche stars in this uniquely spirited new comedy from John Scott Shepherd ("Nurse Jackie") and Emmy-winning director Scott Winant ("Breaking Bad," "True Blood," "Californication").


My Thoughts: Certainly an interesting concept, but could be too preachy. I don't think I'll be watching.

The New Normal

NBC's pitch: These days, families come in all forms—single dads, double moms, sperm donors, egg donors, one-night-stand donors... It's 2012 and anything goes. Bryan (Andrew Rannells, Girls, The Book of Mormon) and David (Justin Bartha, The Hangover) are a Beverly Hills couple and they have it all. Well, almost. With successful careers and a committed and loving partnership, the one thing missing is a baby. And just when they think the stars will never align, enter Goldie (Georgia King, One Day), an extraordinary young woman with a checkered past. A Midwestern waitress and single mother looking to escape her dead-end life and small-minded grandmother (Ellen Barkin, Ocean's Thirteen), Goldie decides to change everything and move to L.A. with her precocious 8-year-old daughter. Desperate and broke—but also fertile—Goldie quickly becomes the guys' surrogate and quite possibly the girl of their dreams. Surrogate mother, surrogate family. Ryan Murphy (American Horror Story, Glee) serves as creator/executive producer and director along with executive producer/creator/writer Ali Adler (Glee, Chuck) and executive producer Dante Di Loreto (Glee, American Horror Story).


My Thoughts: Other than Goldie's cut-away gag, nothing really stood out in the trailer, and some of the secondary characters seem annoying already. Again, the show looks more like a dramedy. I won't be watching.


Like CBS, the presentation of quite a few of NBC's trailers was very off-putting. You're not going to give viewers an idea of what the entire show is about with a one minute clip.

Saturday 19 May 2012

A Look At NBC's New Dramas (2012 - 2013)

Chicago Fire

NBC's pitch: No job is more stressful, dangerous or exhilarating than those of the firefighters, rescue squad and paramedics of Chicago Firehouse 51. These are America's everyday heroes—the courageous men and women who forge headfirst into danger when everyone else is running the other way. But the enormous responsibilities of the job also take a personal toll. Big reputations and hefty egos, coupled with the pressure to perform and make split-second decisions, are bound to put squad members at odds. When a tragedy claims one of their own, there's plenty of guilt and blame to go around. In the middle of a divorce, Lt. Matthew Casey (Jesse Spencer, House) tries to go about business as usual but can't help butting heads with the brash Lt. Kelly Severide (Taylor Kinney, The Vampire Diaries) of the Rescue Squad—and each blames the other for their fallen team member. When it's "go-time" though, they put aside their differences and put everything on the line for each other. Chicago Fire is a look inside one of America's noblest professions. Also starring are Eamonn Walker (The Messenger), Charlie Barnett, (Law & Order: SVU), David Eigenberg (Sex and the City), Monica Raymund (The Good Wife), Lauren German (Hawaii Five-0), Teri Reeves (Three Rivers) and Merle Dandridge (Sons of Anarchy). From renowned Emmy-winning producer Dick Wolf and the writing team behind 3:10 to Yuma comes an edge-of-your-seat view of a dirty job that often means the difference between life and death.


My Thoughts: The tension between the two male leads is believable, and there looks to be enough action, romantic etc. to keep the procedural die-hards happy. I don't think I'll be watching.

Do No Harm

NBC's pitch: Dr. Jason Cole (Steven Pasquale, Rescue Me) is a highly respected neurosurgeon who has it all—a lucrative career, confident charm, the gift of compassion. But he also has a deep, dark secret. One morning when he wakes up disoriented in a wrecked hotel room amidst several near-naked women he's never seen before, he knows one thing: It's happening again. Every night at the same hour, something inside Jason changes, leaving him almost unrecognizable—seductive, devious, borderline sociopathic. This new man is his dangerous alternate personality who goes by the name of 'Ian Price.' For years he's battled Ian, keeping him in check with a powerful experimental sedative. But now his—their—body has developed a resistance to the serum, setting Ian free once again. And to make matters worse, after being suppressed for so long, Ian's hell-bent on taking revenge on his oppressor. With everyone Jason cares about at risk—patients, friends, coworkers, and even the woman he loves—he's got to stop Ian once and for all. Will they find some common ground, or will they bring each other down? Hell hath no fury like an alter ego scorned. Also starring are Alana De La Garza (Law & Order), Mousa Kraish (Superbad), Michael Esper (A Beautiful Mind), Ruta Gedmintas (The Borgias) and Phylicia Rashad (The Cosby Show). The executive producer/writer is David Schulner (Desperate Housewives, The Event). Peter Traugott (Ringer) and Rachel Kaplan (Ringer) also are executive producers. Michael Mayer (NBC's Smash) is the co-executive producer and director.


My Thoughts: There's not much to go on, but already Cole's character comes across as grating, and the show itself seems too melodramatic. Perhaps Price, his alter ego will be more entertaining? I won't be watching.

Infamous

NBC's pitch: When wealthy socialite and notorious party girl Vivian Bowers is found dead of an overdose, no one is really surprised. The heiress to the Bowers pharmaceutical empire has been tabloid fodder for years: wild, pretty, privileged... and now dead at the age of 32. But for FBI agent Will Moreno (Laz Alonso, Avatar), things don't add up with this suspicious dynasty. Convinced that the troubled girl's death was a homicide, he has a clever plan to get to the truth. Her name is Detective Joanna Locasto (Meagan Good, Think Like a Man). Twenty years ago, she was Vivian's best friend, having grown up in the Bowers' home. And when she appears at Vivian's funeral, the family re-embraces her and no one is the wiser. Joanna quickly begins to uncover dark secrets and clues about why Vivian's life was very much in danger. At the same time, she rekindles an old romantic relationship and rediscovers the allure of the luxurious lifestyle she once knew. She's about to see once again just how the other half lives... and dies. Also starring are Victor Garber (Alias), Tate Donovan (Damages), Katherine La Nasa (Alfie), Neil Jackson (Quantum of Solace) and Ella Rae Peck (Gossip Girl). Infamous comes from executive producer/writer Liz Heldens (Friday Night Lights) and director Peter Horton (Grey's Anatomy, Dirty Sexy Money).


My Thoughts: I was looking forward to this one, and again, there's not much to go on, but the concept has been done before and Meagan Good doesn't seem a very charismatic lead. I might watch, but only if nothing else is on.

Revolution

NBC's pitch: Our entire way of life depends on electricity. So what would happen if it just stopped working? Well, one day, like a switch turned off, the world is suddenly thrust back into the dark ages. Planes fall from the sky, hospitals shut down, and communication is impossible. And without any modern technology, who can tell us why? Now, 15 years later, life is back to what it once was long before the industrial revolution: families living in quiet cul-de-sacs, and when the sun goes down lanterns and candles are lit. Life is slower and sweeter. Or is it? On the fringes of small farming communities, danger lurks. And a young woman's life is dramatically changed when a local militia arrives and kills her father, who mysteriously—and unbeknownst to her—had something to do with the blackout. This brutal encounter sets her and two unlikely companions off on a daring coming-of-age journey to find answers about the past in the hopes of reclaiming the future. From director Jon Favreau and the fertile imaginations of J.J. Abrams and Eric Kripke comes a surprising "what if" action-adventure series, where an unlikely hero will lead the world out of the dark. Literally. The series stars Billy Burke (The Twilight Saga), Tracy Spiridakos (Being Human), Anna Lise Phillips (Terra Nova), Zak Orth (Romeo + Juliet), Graham Rogers (Memphis Beat), J.D. Pardo (A Cinderella Story), Giancarlo Esposito (Breaking Bad), David Lyons (The Cape), Maria Howell (The Blind Side), Tim Guinee (Iron Man) and Andrea Roth (Rescue Me).


My Thoughts: An intriguing high-concept show, with tension abound. I had my reservations initially, but this trailer is good. I'll be watching. Side note: I'm so glad they sampled the song Touched by VAST towards the end of this trailer, they're an amazing band, and hopefully this will get them some more exposure.

Friday 18 May 2012

A Look at CBS's New Comedies (2012 - 2013)

Partners

CBS's pitch: Partners is a comedy based on the lives of creators David Kohan and Max Mutchnick, about two life-long best friends and business partners whose "bromance" is tested when one of them is engaged to be married. Joe (David Krumholtz) is an accomplished architect who leads with his head and not his heart, especially in his love life. That's in stark contrast to his gay co-worker, Louis (Michael Urie), who is spontaneous, emotional and prone to exaggeration. Both have found joy in their love lives: Joe is newly engaged to Ali (Sophia Bush), a beautiful and sophisticated jewelry designer, while Louis is dating Wyatt (Brandon Routh), a vegan nurse who Louis insists is just a promotion away from becoming a doctor. As news of Joe's engagement settles, time will tell if their business and personal bond can adapt to the addition of two other important relationships.


My Thoughts: From the creators of Will & Grace comes a show that looks exactly like Will & Grace, if Grace were a straight man, but if it ain't broke, don't fix it, right? I'll be watching, at least initially.

When CBS releases a trailer for its other comedy, Friend Me, which is set to debut mid season, I will post my thoughts here.


Also, did anyone else find the 'Behind The Scenes' trailers a bizarre advertising campaign on CBS's part? A trailer with what actually happens on the show will get me to watch it, not the cast and crew telling me how much fun they have on set. I found it all very distracting and unnecessary.

A Look at CBS's New Dramas (2012 - 2013)

Elementary

CBS's pitch: Elementary stars Jonny Lee Miller as detective Sherlock Holmes and Lucy Liu as Dr. Joan Watson in a modern-day drama about a crime-solving duo that cracks the NYPD's most impossible cases. Following his fall from grace in London and a stint in rehab, eccentric Sherlock escapes to Manhattan where his wealthy father forces him to live with his worst nightmare—a sober companion, Dr. Watson. A successful surgeon until she lost a patient and her license three years ago, Watson views her current job as another opportunity to help people, as well as paying a penance. However, the restless Sherlock is nothing like her previous clients. He informs her that none of her expertise as an addiction specialist applies to him and he's devised his own post-rehab regimen—resuming his work as a police consultant in New York City. Watson has no choice but to accompany her irascible new charge on his jobs. But Sherlock finds her medical background helpful, and Watson realizes she has a knack for playing investigator.


My Thoughts: A procedural headed by a famous eccentric detective, plus it's already been done quite recently with Sherlock. Interesting decision to have Lucy Liu play Watson though. I don't think I'll be watching.

Made In Jersey

CBS's pitch: Made in Jersey is a drama about a young working-class woman who uses her street smarts to compete among her pedigreed Manhattan colleagues at a prestigious New York law firm. Martina Garretti (Janet Montgomery) finds her firm's cutthroat landscape challenging, but what she lacks in an Ivy League education she more than makes up for with tenacity and blue-collar insight. After just a few weeks, firm founder Donovan Stark (Kyle MacLachlan), takes note of Martina's ingenuity and resourcefulness, as does her sassy secretary Cyndi Vega (Toni Trucks). With the support of her big Italian family, including her sexy older sister Bonnie (Erin Cummings), Martina is able to stay true to her roots as a bold, passionate lawyer on the rise in a new intimidating environment.


My Thoughts: Martina and her Italian family seem very grating, and her job at the law firm could provide interesting material, but this seems more of an uplifting character drama than anything else. I won't be watching.

Vegas

CBS's pitch: Dennis Quaid and Michael Chiklis star in Vegas, a drama inspired by the true story of former Las Vegas Sheriff Ralph Lamb, a fourth-generation rancher tasked with bringing order to Las Vegas in the 1960s, a gambling and entertainment mecca emerging from the tumbleweeds. Ralph Lamb (Quaid) wants to be left in peace to run his ranch, but Las Vegas is now swelling with outsiders and corruption which are intruding on his simple life. Recalling Lamb's command as a military police officer during World War II, the Mayor appeals to his sense of duty to look into a murder of a casino worker—and so begins Lamb's clash with Vincent Savino (Chiklis), a ruthless Chicago gangster who plans to make Vegas his own. Assisting Lamb in keeping law and order are his two deputies: his diplomatic, even-keeled brother Jack (Jason O'Mara) and his charming but impulsive son, Dixon (Taylor Handley). Ambitious Assistant District Attorney Katherine O'Connell (Carrie-Anne Moss), who grew up on the ranch next to the Lambs, also lends a hand in preserving justice. In Vegas, two powerful men—Lamb and Savino—are engaged in a fierce battle for control of the budding oasis, and for both of them, folding is not an option.


My Thoughts: CBS seems to be trying out their hand at the period drama, and while it boasts an impressive cast, it doesn't seem all that entertaining. I won't be watching.

When CBS releases a trailer for its other drama, Golden Boy, which is set to debut mid season, I will post my thoughts here.